That Floating Excrement Was Far Too Symbolic! These Are the Television Letdowns of the Year.
As we reflect on the TV offerings of the past year, a selection of shows emerge not for their excellence, but for their spectacular shortcomings. From cringe-inducing spin-offs to bafflingly bad documentaries, here are the programmes that had us utterly bewildered or just reaching for the remote.
The 'Sex and the City' Sequel
How to start with this divisive follow-up? Plagued with dreadful scripts, painful character development (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series fought to find its footing. For a moment, as the final series began, it looked like it had finally hit its stride. Then came an installment centered on Seemaâs natural deodorant. Little surprise the showrunner announced this would be the final series. It ended on a bum note; the closeup of Mirandaâs toilet flooded with poo was just way too symbolic. Yet, fans certainly found joy picking apart every single âwtf?â episode. And as Carrie â a single woman once more â danced around her palatial townhouse to Barry White, who didnât release a little sob?
Allâs Fair
âIs Kim Kardashian an actress? The answer is a resounding no.â
But that was practically the least of this show's issues. The subject of a exceedingly uncommon zero star assessment, it was hard to know where to begin enumerating the problems. The hilariously wooden dialogue? The mind-numbing veneration of wealth and materialism? The seemingly deliberate parade of tropes? Acting so poor they felt almost spiteful? Suffice it to say âall of the aboveâ and never speak of this show again. However, a new season has been ordered, so weâre probably going to have to.
The Charlie Sheen Documentary
Considering the legal troubles, domestic violence allegations and fatherly failures, itâs reasonable to say Charlie Sheen has been a troubled figure. Not that youâd really have gleaned it from this multi-part docuseries which smirked its way at Sheenâs various episodes of self-destructive hedonism while struggling to tell us a single thing we didnât already know. Rather, it felt as if this loose cannon was being indulged, so any pity this show might induce should be saved for the people who have had to suffer close contact with this charismatic but flippant narcissist.
The Supercomputer Drama
Of course we knew it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world â or destroy all of humanity. We stuck with it out of pure admiration for its stars ⊠but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately hacking Charlie with an axe ⊠in painfully slow-motion. That's what you call admitting defeat.
The Gangster Drama
Shady characters meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.
In truth, that is unfair on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didnât suffer the embarrassment of having to accommodate unconvincing dialects. But there were plenty of other problems. Primarily that it was just really boring; a dispute over narcotics territory between various London rogues which seemed rather simplistic.
With Love, Meghan
Given the extent to which she grinds the gears of certain ostentatiously angry commentators, itâs almost easy to admire the Duchess of Sussexâs televised forays into quaint homemaking as deliberate statements. But then you watch them and are compelled to concede that in this case, they may have a point. Itâs like watching a homeware catalogue animated; a poster for wine oâclock with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark sayings and pointless crafting âhacksâ youâll forget instantly. All supported by vast, mostly unearned wealth. Ugh.
The Beckham Documentary
There are clearly interesting things to be said about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Rather, the experience was like reading a sales brochure. She clearly has good reason to resent what she describes as her âmiserable cowâ image. But unfortunately, she failed to do herself any helps with this guarded non-event of a series.
The Inheritance
It should have been the next cultural phenomenon â except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: itâs still too confusing to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a programme that was trying way too hard to emulate something far greater than it.
The Lena Dunham Romcom
How does one succeed a show that defined a generation? The pressure was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the sheer amount of famous cameos involved felt uncomfortable.
The Sketch Show Return
Not good enough to be âpatchyâ.
Given the smart inclusion of gifted younger comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have remained in there a bit longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isnât it. The subject matter needed to be treated sensitively. Rather, the series laboured awkwardly to find the right voice, lumbering from strangely breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Absolutely.
The Maths Genius Thriller
We love the star ⊠but did we believe him playing the greatest maths genius since, a man so smart heâs on the verge of a breakthrough that could destabilise society? No! This international thriller about secret services spying on â and killing off â intellectuals honestly got more absurd by the second. Formulaic nonsense.
The Bonnie Blue Documentary
This uncritical portrait followed the online personality notorious for explicit exploits as she prepared for her most extreme challenge yet. What on earth would motivate her? What we wanted was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to drag her son away from the queue. What we got was horrific shots and zero interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.